Last May, CUPRA hosted the immersive exhibition of three artists in Madrid, curated by Urvanity Projects. At the opening, the trio of artists performed as a prelude to the exhibition.
“Becoming Warp” was an immersive installation that intertwines sculpture, digital visualization and sound composition to unfold a perceptual field in constant vibration. The sculptures, designed and printed by Manel Bafaluy, inhabit the space as organic and abstract bodies that condense a latent energy. Each form is embodied with an active tension, a presence that opens to resonance. A cloud of dots, programmed by Marco Ferreira, runs through the room, projecting luminous figures that evoke liquid rosettes: fleeting patterns that articulate the space as if matter itself were woven in light. Eddgem's soundscape envelops the experience with layers of frequency and depth, breathing breath into the whole and making it reverberate.
In this exhibition, the warp emerged as a collective gesture revealing the cosmic forces that run through us. As in a digital maya, the threads of light and vibration configure a woven appearance that - far from hiding - reveals the intimate weft of the world. Digital interweaving becomes a form of sensitive knowledge, where matter is organized following invisible rhythms.
The installation summoned an attentive gaze: an opening to the dance of particles, frequencies and forms that constitute us.
CUPRA Mad Room, the immersive room of CUPRA City Garage Madrid and one of the largest open to the public in the city, is a space where technology and art come together to offer unique experiences. Here, digital art comes to life, immersing visitors in new realities.
With initiatives such as Devenir Urdimbre, the Garage has strengthened its commitment to digital art as a current and accessible form of expression, consolidating itself as a benchmark for cultural innovation and the promotion of creative talent in the center of Madrid.
